In July I started reading Elena Ferrante’s Neapolitan Novels. Set primarily in Naples, the four-part series follows two friends — Elena Greco and Raffaella (known as Lila) Cerullo — from childhood through to their sixties.
These books are bestsellers and have drawn global acclaim, but one of the great mysteries behind them is the true identity of the author. Elena Ferrante is a pseudonym, and there has been a lot of speculation about the person behind the nom de plume.
Last year, the New York Review of Books published a piece by an Italian journalist who claimed to have outed Ferrante’s identity. Given that she published her books with the repeated desire to remain anonymous, I feel that the media frenzy over uncovering her identity is in poor taste. It’s certainly unusual for bestselling authors to avoid publicity, but Ferrante clearly has reasons for wishing to write under a pseudonym. Continue reading